hairspray-obcOriginal Broadway Cast, 2002 (Sony) 5 out of 5 stars (5 / 5) The CD itself is gussied up to look like a Phil Spector 45, and that’s typical of the attention to detail in this lively aural document of an irresistible musical comedy. Though based on John Waters’ 1988 movie of the same title, Hairspray plays more like a faux-naif Bye Bye Birdie, propelled by ’60s rock ‘n’ roll pastiche songs with just enough irony lurking at the edges. Marc Shaiman and Scott Wittman’s score has a lot of heart, along with a sincere plea for tolerance, beneath all that jive. When Marissa Jaret Winokur kicks off with “Good Morning Baltimore,” sung to perfection, we’re all hers. From there, the album is pretty much a nonstop delight that employs every color of the era’s pop palette, from girl-group bubblegum (“Mama, I’m a Big Girl Now”) to gospel soulfulness (“I Know Where I’ve Been”). As Edna Turnblad, Harvey Fierstein sings with verve; he and the indispensable Dick Latessa as Edna’s husband, Wilbur, bring the house down in their “Timeless to Me” duet. Mary Bond Davis, Corey Reynolds, Linda Hart, Matthew Morrison, and Kerry Butler all help out loads in other roles. A bonus track allows us to hear a cut song, the giggly/grisly “Blood on the Pavement,” but it’s unnecessary; we’ve long since been won over. Salutes also to Lon Hoyt’s energetic musical direction and Harold Wheeler’s fab orchestrations. The Ronettes never had it so good! — Marc Miller

HairsprayFilm Soundtrack, 2007 (New Line Records) 4 out of 5 stars (4 / 5)  A reasonably faithful and exuberant film version of Hairspray was released in 2007, and this soundtrack album captures a lot of the fun. Nikki Blonsky is a perfectly capable Tracy, if not quite as special as Marissa Jaret Winokur, and a starry supporting cast — Zac Efron, Queen Latifah, Christopher Walken, Michelle Pfeiffer, James Marsden — seems to be having  a great time. The one unfortunate performance is the precious, consonant-chewing Edna of John Travolta, who reminds me, for some reason, of Carol Channing. There are a couple of bonus tracks, including a valuable “Mama, I’m a Big Girl Now” (sadly cut from the film) sung by three Tracys: Winokur, Blonsky, and Ricki Lake (who played the part in the John Waters movie). The big-Hollywood orchestrations are enjoyable, but unlike Harold Wheeler’s originals, they don’t sound like they were lifted right off a Phil Spector 45. — M.M.

hairspray-tvTelevision Cast, 2016 (Masterworks Broadway) 3 out of 5 stars (3 / 5) NBC-TV gave Hairspray a deluxe live presentation in 2016 — just after the Presidential election, at a time when its target audience needed its message of tolerance and inclusion the most. A studio recording rather than the actual soundtrack of the telecast, this album is missing the unused “The Big Dollhouse,” but otherwise it’s a near-complete presentation of the score. It even includes Velma’s “Miss Baltimore Crabs” reprise and a rousing new finale, “Come So Far (Got So Far to Go).” Harvey Fierstein, giving Edna one more go-round, is raspier and lower-voiced than ever, but he pairs nicely with Martin Short on “Timeless to Me.” The new Tracy, Maddie Baillio, is a little tentative on “Good Morning, Baltimore” but soon warms up. There’s luxury casting throughout: Kristin Chenoweth sounds like she’s having a blast as Velma, and while Jennifer Hudson’s physically all wrong for Maybelle, she certainly sings the hell out of “I Know Where I’ve Been.” Garrett Clayton (Link) and Derek Hough (Corny) make little impression, a few choice lyrics are missing, and the tempi of some of the songs could have been sped up a bit. But this is such a big-hearted, happy show that’s it’s nice to have another fine recording of the score, and a few of the tracks — Chenoweth’s and Hudson’s, notably — compare favorably with the originals. — M.M.